Missed Opportunity
Poulenc’s Dialogues des Carmélites is an opera based on a play by Bernanos based on a short story by Gertrud von Le Fort based on a true story. It must be the most thoroughly theological piece in the repertoire of grand opera. Anyone who comes fresh to Emma Dante’s production at the Opera di Roma would never guess. Why her Carmelites are dressed like low-cost Queens of the Night, obligatorily limp, and wear blue surgeon’s gloves, I’ve no idea. The singing is excellent. Michele Mariotti directs the orchestra masterfully. But what a trial for the musicians to perform this fine work in a largely imbecile production. Such Christian symbolism as occurs is used so nonsensically as to be rendered silly, as if one had staged Turandot in the style of Little Red Riding Hood, with the wolf in a kimono. It is a missed opportunity – and a reminder that it matters to acquire and intelligently pass on symbolic literacy. What a contrast with Riccardo Muti’s landmark production of 2004, not to mention Dervaux’s version with Poulenc’s original cast, available as an audio recording in the Internet Archive.
