Perspective
‘In a celebrated marble relief, the monumental Pazzi Madonna, the half-length Virgin and Child are set within a sharply perspectival window embrasure that both locks them in place and puts them on stage. They enact the most intense of clinches, noses and foreheads touching, eyes drilling into each other’s face. The mighty Virgin’s Roman nose overlaps her son’s in an unprecedented partial eclipse of Christ’s head; the fingers on her hands reach out to clutch him. She seems to want to shield him from the outside world – and from his preordained future.’
From James Hall’s review of the ‘largely exhilarating’ Donatello exhibition currently on at the V&A, in a basement gallery ‘as cavernous, hi-tech and high-ceilinged as a Bond villain’s lair’.
