Spirit of the Beehive
Victor Erice’s film The Spirit of the Beehive is older than I. Learned disquisitions have been written about it, essays situating it in a cultural, political context marked by the Spanish Civil War. Rarely have I been so haunted by a movie. Rarely have I seen one so carefully constructed with an attention at once analytical and poetic. Destinies and relationships play out within a collective, implicit wound. It cannot be spoken. The couple under whose roof the drama is enacted never exchange a word, simply call each other’s names as if blindly seeking each other in thick fog. The performance of the two young sisters is remarkable. There is a disturbing scene with a cat suggesting that a legacy of violence, though silenced, breeds violence even in the innocent. The bees moving up and down in a closed environment with not a fragment of pollen to be found know not the futility to which they are condemned. This is a film to make one wise, or at least a little wiser.
